Curated by Georgios Boudalis – Head of the Book and Paper Conservation Laboratory, Museum of Byzantine Culture, Thessaloniki, Greece; Research Fellow, Bard Graduate Center, Spring 2015; and Visiting Professor, Bard Graduate Center, Fall 2016.
This exhibition examines the structural, technical, and decorative features of the major types of codices—the wooden tablet codex, the single-gathering codex, and the multigathering codex.
Curated by Urmila Mohan – Bard Graduate Center/AMNH Postdoctoral Fellow in Museum Anthropology.
This exhibition considers the making and use of textiles as ceremonial objects that operate within a unique Balinese Hindu cosmology while exploring the role of textiles as symbols of cultural resilience and continuity.
Charles Percier: Architecture and Design in an Age of Revolutions
Curated by Jean-Philippe Garric, University of Paris I, Panthéon-Sorbonne – Professor of History of Architecture
November 18, 2016-February 12, 2017 at Bard Graduate Center, New York
March 18, 2017-June 19, 2017 at Château de Fontainbleau
Charles Percier: Architecture and Design in an Age of Revolutions surveyed the wide range of projects undertaken by the French architect and interior designer from the end of the eighteenth to the beginning of the nineteenth century.
Frontier Shores: Collection, Entanglement, and the Manufacture of Identity in Oceania
Curated by Shawn C. Rowlands, Bard Graduate Center – American Museum of Natural History Postdoctoral Fellow in Museum Anthropology
April 22, 2016 – Spetember 18, 2016
Frontier Shores: Collection, Entanglement and the Manufacture of Identity in Oceania examines artifacts as the contested space of cross-cultural contact between European collectors and the native peoples of the region.
Curated by Hanna B. Hölling, Andrew W. Mellon Visiting Professor, Cultures of Conservation, BGC
September 18, 2015 – February 21, 2016
How do works of art endure over time, facing aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? How can changeable artworks encourage us to rethink our assumptions of a work of art as fixed or static? Revisions—Zen for Film explores these questions through Zen for Film, one of the most evocative artworks by the Korean-American artist Nam June Paik (1932–2006).
Curated by Kimon Keramidas, Assistant Professor and Director of the Digital Media Lab, BGC
April 2, 2015 – July 19, 2015
Computer technology provides us with constant opportunities to try new things, and with each new device we get a peek at what the future has in store. But the history of that technology is just as important as the future. The Interface Experience: Forty Years of Personal Computing tells the story of that past through tactile and interactive displays that will stimulate new questions about how we interact with and use computers.
Curated by David Jaffee, Professor and Head of New Media Research, BGC, with BGC Students
September 19, 2014–January 11, 2015
Visualizing 19th-Century New York examines New York City—a spectacle for resident and visitor alike—through prints and photographs produced by cultural entrepreneurs who created a vast commercial market for their images of the booming metropolis.
Waterweavers: The River in Contemporary Colombian Visual and Material Culture
Curated by José Roca with Alejandro Martín.
April 10–August 10, 2014
The exhibition catalogue, Waterweavers: A Chronicle of Rivers, features a selection of visual and textual narratives about Colombian rivers across time, including an essay by the co-curators addressing the river in contemporary Colombian visual and material culture, illustrations of works by the seventeen artists in the exhibition, and excerpts from literary and historical texts, many published for the first time in English.
Curated by Nicola Sharratt
April 10–August 3, 2014
Carrying Coca: 1,500 Years of Andean Chuspas considers how two components of Andean life—coca leaves and hand-woven textiles—are brought together in the small bag called a chuspa and examines this traditional object in changing cultural and economic contexts.
Curated by Professor Kenneth L. Ames and students
September 21, 2011 – December 31, 2011
The exhibition and accompanying book argue the central premise that examining the images on Christmas cards used in the United States from the late nineteenth century to the end of the 1950s enriches our understanding of not only the American Christmas but also significant aspects of American culture. These cards constitute a category of American material culture that is rich in documentary potential yet has been nearly invisible in the scholarly literature.
This site is a companion to the pop-up exhibition that was generated by Professor Ivan Gaskell’s Tangible Things class in the fall of 2012. Each week students brought in an object related to a field of academic study and the resulting collection represented the range of everyday things we find in our world.
This site is the result of the coursework completed by the fall 2012 course Media & Materiality. The site combines object, important events, thematic essays, chronographies and visualizations to describe the relationship between immaterial media texts and material media technologies. Each path of inquiry, typography, photography, and moving images, can be experienced multi-modally and non-linearly through descriptions, hyperlinks and imagery.
This is a digital exhibition created over the course of two semesters by BGC students. The product of archival research done at the NYPL and a crash course in web design, this project is a great example of the kind of work being done in the DML by students and faculty.