Carlin Soos Superstition, 2013 Screenprint
As one would expect when jumping into graduate study, the past few weeks have been filled with a lot of very exciting changes. I recently moved from Portland, Maine, where I did my undergraduate studies in graphic design and art history at the Maine College of Art. With this location switch, from a medium-sized city in New England to the largest on the East Coast, I am also launching a change in professional focus: from a practicing graphic designer to a researcher of the discipline.
For the past four years I was deeply involved in various graphic design practices. I interned for a moderately sized advertising firm in Portland, switched to a smaller design studio where I focused more on identity and print design, worked as an in-house designer for an art college, and did historical research for two type designers currently creating typefaces for N’ko and Ge’ez scripts. I’ve tried a bit of everything, and had some great experiences. However, as my academic studies turned more towards art history and theory, I began to think about graphic design not solely as a contemporary practice, but as a field with a rich history—a history that is, sadly, often neglected in contemporary art historical study. I’m excited to fuse my passions for graphic design and historical research, and seek to add contributions to the growing field of typographic history.
Carlin Soos Wormwood Wordmark, 2014 From thesis exhibition: Semiotics of the Garden Screenprint